Japan
National
Day : July 8, 1988
Agreement
to participate : 10 January 1986
Commissioner-General
- Mr Tadashi Masui
Pavilion
: 2176 square metres |
 |
The
Japanese representation can be said to be,
without fear or favour, one of the best representations by a
national or corporate presence at World Expo '88.
It
consisted of the $AUD26m Japanese
Government Pavilion - the most expensive at the fair; a corporate presence by Fujitsu - which had
it's own pavilion nearby; and, an Japan
External Trade Organisation (JETRO)-led consortium
of governments from Saitama Prefecture and Kobe-City (the respective
sister-state of Queensland and sister-city
of Brisbane) and Japanese corporations Hitachi, Idemitsu, and the Japan
Leisure Centre. The JETRO-led
pavilion was located just next to the Japanese Government pavilion, and
was called the "Japan Technoplaza".
The
Japanese Government Pavilion was
located at the back centre of the Expo site, facing towards
the Brisbane River and near the
popular man-made 'Pacific Lagoon' and countries of the Pacific.
The Pavilion representation had three distinct elements,
(i) the Pavilion itself (2,843 square metres), (ii) the Japanese
Garden, at the front Entrance/Exit of the Pavilion (1,236 square
metres) and (iii) a Japanese
traditional leisure boat, 17 metres in length and known as the
'Yakata-bune' <屋形船>.
The
Yakata-bune was specifically designed for
entertaining The Expo sun-sails are reflected stunningly in the
angled mirror roof façade of the Japanese Government Pavilion
Japan
Pavilion (up
to 30 at a time) VIPs on the
Brisbane
Postcard Image
Courtesy and © Papermoon Innovative Concepts
River
during the nightly
fireworks, and was later gifted to the City of Brisbane.
|
The firm
responsible for the overall theme and design of the Pavilion was the
<日
本科学技術振興財団> 'NipponKagakuGijutsuShinkôZaidan' (literally the Japan Foundation for the Promotion of Science
& Technology), Tokyo, with several subsidiaries responsible for the individual architectural and design elements.
The
Pavilion theme was "Harmony of Tradition and Technology" - which
married closely with the Expo overall-theme of 'Leisure in the Age of
Technology'. This was cleverly developed in the Pavilion
exterior and interior - where Pavilion visitors
could experience leisure time in traditional Japan by visiting the
open-air traditional Japanese Garden - encircled and adjoining the
front entrances and exits of the Pavilion itself - or learn
about the contemporary application of technology to Japanese leisure
time on the inside of the Pavilion - through a series of dance/theatre,
static,
interactive, and audio-visual displays.
A
unique juxtaposition of traditional Japanese Garden design and
Australian native plants and shrubs, the Japanese Garden
was a much cherished place of rest at the Exposition - where
guests could sit and relax without encumbring lines - listen to
traditional Japanese music - either as background music - or as a live
performance of Japanese Harp (koto) on the Garden Pond Pagoda (where
traditional Japanese dance was also peformed) - or watch - and take
part in lessons in - Japanese calligraphy, flower arrangement
(Ikebana), or Tea Ceremony. A gently cascading rock waterfall and
pebble-stone path featured on the right side of the Garden, where
boulders and rocks in seemingly ad hoc yet arranged beauty took their
pride of place. The Garden entrance Gate - where a Pavilion
attendant was always on duty to welcome - was dedicated by Japanese
Prime-Minister Noboru Takeshita - whose calligraphy <遊翠園>'Yuu-sui-en' - 'place of quiet
and green' - graced the top arch of the Gate itself.
The pond
and garden were reflected beautifully in an enormous angled mirror
spanning the length of the pavilion suspended
above the entrance and exit, with the words "Nihon" <日本> (Japan) in kanji (chinese
characters) and "JAPAN"
in
English emblazoned in silver, heralding the pavilion to those from
afar. The pavilion entrance, to the left, was done in white tiles, with pebbles to either side, with
low-level glass revealing the garden, and featured a reception area and desk where questions could be asked, and where pavilion
attendants could be seen welcoming guests to the pavilion with the obligatory pavilion pamphlet.
The main
entrance foyer led one down a straight corridor to the first exhibit -
the 'Shishimai Robots' ('shishi' meaning 'lion', and 'mai' meaning
'dance'), where two former
car-manufacturing industrial robots dressed-up in traditional
Japanese lion dance garb, (replete with meticulously-designed
lion head-pieces in navy and red with a gold finish and 'snapping'
jaws), would, in time with three stirring
traditional lion dance Japanese drum and lute refrains intricately
dance, move, and lunge at one another - much to
the surprise of the viewing audience! We often had to tease people
not to stand 'too close',
and there was, for good measure (but never used) an 'emergency button'
so that we could stop the machines for
any purpose.
After the
'Shishimai' there was a corridor to the left, which brought one to the
imaginatively
designed display "Traditional Leisure in Edo Era, 18C.", where clever use of inverted hidden TV screens
reflecting an animated image onto a false glass screen introduced guests to the antics of 3-cm high "Hachi", a
resident of 18th century Tokyo - then known as Edo - as he 'walked' and 'talked' his way (in a jocular Australian
accent!) through the skillfully-made village 1/15 replica scale models of Edo at the time - complete with a rising Mt Fuji in
the background.
Turning
around on the right-hand side there was a static display, entitled "Traditional Playing Today", which thematically
explored traditional forms of Japanese leisure and festival that are still common today - and, as such, contained models
of costumes of Sumo-referees and Kabuki actors, as well as a portable Shinto-shrine and traditional Japanese
kites.

"C" Team
from the Japan Pavilion, in the Japanese Garden, World Expo '88
(That's
me - in the middle!)
Next